Bert Jansch – A Man I’d Rather Be (Part 2)
THIS IS A PRE ORDER. OFFICIAL RELEASE DATE 23rd FEBRUARY 2018
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A Man I’d Rather Be’ (Part II) comprises Jansch’s late ’60s and early ’70s output, an under-rated era, no doubt influenced by the now well-established Pentangle sound. Bandmates Danny Thompson (bass) and Terry Cox (drums) regularly feature among the musicians as well as cameo appearances by Mary Hopkin, Toni Visconti and Dave Mattacks.
In this period we see Jansch’s take on pop (Nicola), blues (Birthday Blues funnily enough), handsome arrangements (Rosemary Lane) and barque folk (Moonshine). All of this being conjured during a time when Pentangle was simultaneously releasing albums and constantly touring; to say that the man had a generous talent is something of an understatement.
The lush orchestration of Nicola was partly recorded by John Wood who would later engineer Nick Drake’s recordings at the same studio. The heart melting cover of Birthday Blues contains a set with some of the stalwarts of Bert’s solo and Pentangle sets, ‘Poison’ and ‘A Woman Like You’ and some of his most arresting work including ‘Come Sing a Happy Song’ which featured on the soundtrack of Noah Baumbach’s The Squid and the Whale in 2005. Rosemary Lane is considered by many to be one of Bert’s finest records, a smooth mix of traditional folk such as the title track and ‘Reynardine’, timeless original compositions like ‘Tell Me What Is True Love?’ and in ‘Alman’ and ‘Sarabanda’, examples of early music including the 16th and 17th/18th centuries, all with the sympathetic production of Bill Leader. Moonshine, Bert’s first release after Pentangle split, It was produced by fellow member Danny Thompson and the legendary Tony Visconti, who not only arranged a number of songs but also played on the record. It also features Mary Hopkin duetting with Bert on Ewan MacColl’s ‘The First Time Ever I Saw Your Face’, Aly Bain and Charles Mingus’ drummer Dannie Richmond.
“Simply, I think Bert was a truly unique musician. Somehow he could elegantly bridge differing musical and singing traditions to sing and play in a way that sounded only like Bert Jansch.” - Anne Briggs
“The Jimi Hendrix of the acoustic guitar” – Neil Young
“At one point, I was absolutely obsessed with Bert Jansch. When I first heard that LP, I couldn’t believe it. It was so far ahead of what everyone else was doing. No one in America could touch that.” - Jimmy Page
“I will never stop learning from Bert Jansch. His records have proved to be a great gift to everyone and for me they are also an education and a well of inspiration.” - Graham Coxon
4LP casebound box-set includes: